Gamut – Canon BaseLUTs for C-Log C-Log 3: We developed our own custom Canon Log and Canon Log 3 Conversion LUTs that have great retention in the highlights, well balanced saturation levels, and an accurate colorimetry response for consistent results. These are technical LUTs designed to give your footage the best accurate starting point before adding any creative LUTs to the mix. These will be your new favorite go-to Conversion LUTs!
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Tech Specs
Compatible with the following software:
- Adobe Premiere Pro
- Final Cut Pro
- DaVinci Resolve
- (any software that can load a LUT)
3D LUT in .cube format in 33x size
Cameras
Compatible with Canon Cameras shooting in C-Log or C-Log 3 in either BT.709 or Cinema Gamut color space:
- CANON R5, R6, EOS-R, C70, 1DX Mark III, C200, C300 Mark II & III, C500 Mark II, C700
- If your camera isn’t listed, it still may be compatible. We have currently only tested on cameras listed above. If you want to make sure these LUTs work with your camera, just use the Contact Form to reach out and we can check for your camera compatibility.
For more information on camera profiles we recommend and a full camera compatibility list, please check out this link: Recommended Camera Profile Settings
What’s Included
Upon purchase, you will receive an instant download of the LUT file that you can use in any Software that recognizes .cube files.
This pack consists of:
(1x) BaseLUTs – Canon C-Log (BT709)
(1x) BaseLUTs – Canon C-Log (Cinema Gamut)
(1x) BaseLUTs – Canon C-Log 3 (BT709)
(1x) BaseLUTs – Canon C-Log 3 (Cinema Gamut)
- Skin Tones
Get a clean skin tone balance that is not overly magenta that other LUTs sometimes produce.
- Highlights
You will get pleasing highlight roll-off as well as maximum highlight retention without losing information.
- Environment
Whether you are filming in natural light or at a venue where the lights have strong saturation levels, these LUTs will handle it all with ease.
Should I Film in Log?
When filming in a LOG profile, you will notice a very flat looking image. Filming in LOG allows more information to be captured by the camera and can give stunning results when properly graded and adjusted in post. However, it can be difficult to expose properly or nail white balance every time. You want the colors you see when filming to be the colors you see when grading. That is where the Gamut Conversion LUTs come in. If you have a monitor, you can load these Conversion LUTs and view your footage in real-time when filming and know that you are exposing properly and see a properly adjusted image. So grab these LUTs and you will be set when filming and grading.
Canon Camera Settings
When filming in C-Log or C-Log 3, use these settings for optimal results:
(settings may vary by camera)
– Canon Log = ON
– Color Matrix = Neutral
– Color Space = BT.709 (or Cinema Gamut if not an option)
– Gamma = Canon Log or Canon Log 3
– HDR-PQ = OFF
– Highlight Tone Priority = OFF
– Picture Style = OFF
On the Canon R5 or R6, we recommend filming in BT.709 Color Space in C-Log 3 for best results. For the Canon C70, we recommend filming in Cinema Gamut Color Space in C-Log 3 as there is no C-Log on that camera. For the Canon C200, we recommend filming in C-Log 3 which will be in the BT.709 Color Space. For more camera options, please check out this link: Recommended Camera Profile Settings.
Why Default Canon LUTs Fall Short
When comparing Canon’s default LUTs to our Gamut conversion LUTs, you can see that the colors and dynamic range do not hold up well. With Canon, the skin looks lifeless and desaturated while also leaning more magenta. With Gamut, we optimize the skin tones to reflect the accurate colors they should be. Also, we have dialed in our highlights to retain better information so that you can maximize the dynamic range of your footage without clipping that extra highlight detail that you get with Canon’s conversion LUTs. Overall, you will get better results when using Gamut Conversion LUTs than the default camera manufacturer LUTs.
Looking for Canon Log 2 LUTs?
If you film in Canon Log 2, then this is the only conversion LUT you will need. You can add this additional LUT to your collection if you want the best dynamic range possible on the supported cameras below. Get both C-Log/C-Log 3 Pack and C-Log 2 Pack at a discount when you add them to the cart together and save money.
– C70, R5 (RAW), 1DX Mark III (RAW), C200 (RAW), C300 Mark II & III, C500 Mark II, C700
Works with All Gamut LUTs
Want to use our other Gamut creative LUT packs like Adagio on top of this conversion LUT, then you don’t have to worry. These LUTs are optimized for ALL our Gamut packs so you can get the foundational conversion LUT added before adding the other LUTs on top. We just recommend keeping the creative LUT’s dialed to 50% or less intensity for the best results. It’s important to not “bake” our creative LUTs into a LOG version so that you can dial the look yourself to taste for the most flexibility.
Download
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